World View of the Goddess Culture
The Goddess in all her manifestations was a symbol of the unity of all life in Nature. Her power was in the water and stone, in the tomb and cave, in animals and birds, snakes and fish, hills, trees, and flowers. Hence the holistic and mythopoeic of the sacredness and mystery of all there is on Earth.
This culture took keen delight in the natural wonders of this world. Its people did not produce lethal weapons or build forts in inaccessible places, as their successors did, even when they were acquainted with metallurgy. Instead, they built magnificent tomb-shrines and temples, comfortable houses in moderately-sized villages, and created superb pottery and sculptures. This was a long-lasting period of remarkable creativity and stability, an age free of strife. Their culture was a culture of art.
The innumerable images and symbols attributed to this deity assert that the parthenogenetic Goddess has been the most persistent feature in the archeological record of the ancient world. In Europe she ruled throughout Paleolithic and Neolithic, and in Mediterranean Europe throughout most of the Bronze Age. The next stage, that of the pastoral and patriarchal warrior gods, who either supplanted or assimilated the matristic pantheon of goddesses and gods, represents an intermediary stage before Christianity and the spread of the philosophical rejection of this world. A prejudice against this worldliness developed and with it the rejection of the Goddess and all that she stood for.
The Goddess gradually retreated into the depths of forests or onto mountaintops, where she remains to this day in beliefs and fairy stories. Human alienation from the vital roots of earthly life ensued, the results of which are clear in our contemporary society. But the cycles never stop turning, and now we find the Goddess reemerging from the forests and mountains, bringing us hope for the future, returning us to our most ancient human roots.